a few recent works

i tend to be lazy around this blog and wanted to write a non music one so i thought 'well it's supposed to be about music' so here's a run down of a few recent releases and the rational behind them.




this album remixes laica's 'id situation (a 10" of which can be bought here taking the idea of cctvs and surveillance and humanising the machines. the second track ends with the death of two cameras and the feedback from their dead circuits.



this album was written to commemorate the centenary of the opening of world war one.

the tracks do not use lo-bit sound but rather a form of processing i developed to mimic lo-bit but still allow higher frequency responses - there are still unusual sounds present that you could not get in a lo-bit file

this idea was to mimic the often ludicrous use of noise reduction technology in the remastering of early audio and film, to allow an ironic 'documentary' feel to the work which would act as a counterpoint to the subject matter.




for this release i used the data from the photograph which forms the cover to create the music so, in a way, it is literally a portrait (and an ironic take on growing older)

'you look like your mother' - complete text

i was unsure if i wanted to share the pages of the book without having the ability to shuffle them any way you saw fit but my commitment to an openness towards culture won out.

these images may be saved and reordered in any way you like, just reference me if you share or use them.

'you look like your mother' - describing alternative narratives.

as discussed before i have been writing an  auto-biography which contains multiple and largely false narratives.

my aim has been to question the often constructed narratives around trans* identity and the processes by which we construct the narrative thread of our own lifes.

i have spoken in the past about the seductivness of the 'i always knew' tradition of trans* identity in which having known you where a girl/ boy from childhood is treasured and viewed as more authentic. i wished to challenge this in the book and i also wanted to challenge common themes i have found in trans*autobiography relating to coming out, 'transitioning,' medication and surgery. as i state in the book

so many choices for the direction of biography not least of which is when to allow the great life changing moment too occur. there are various trusted approaches: rebirth upon surgery, rebirth upon taking hormones

some of these narratives grew out of the 'standards of care' which, for many generations of trans*women including my own, formed the basis of how we understood ourselves, changed how we constructed our own narratives. though this time has passed and a greater openness exists in the community to alternative narratives the old ideas of legitimacy and the old hierarchies hold true.

ofcorse the book goes beyond only discussion trans*autobiography to discuss the whole genera of autobiography, biography and even the idea of narrative itself.

though indebted to b. s. johnson's 'the unfortunates' i wished to move beyond the limited structure he offered (or even that offered by marc saporta) by destroying the order and sense of the page, offering narratives that collapse in upon themselves, eat their own tails.

this is an ending which will lead you back to the beginning, a circle, a narrative eating it’s own  tail. stop, begin, speak.  end

the book can be purchased along with two cds of music and a two hour film on my bandcamp and as a stand alone item here